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21/8/2020 0 Comments

Skin Positivity Influencers Helped Me Accept My Acne For What It Is

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​Image curtesy of The Insecure Girls' Club and Sofia Grahn
To read this article, visit The Insecure Girls' Club.
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    Features

    Global Strangers: Existing Between Borders Film Collection
    ‘Promising Young Woman’ vs. ‘I May Destroy You’: Messaging in the Me Too Era
    Animation Artistry in Cartoon Saloon’s Wolfwalkers
    Riz Ahmed’s Goodbye to Britain: Confronting Identity and Self in ‘The Long Goodbye’
    Young Film Programmers and the Pandemic
    The Hugh Grant Archetype: Stereotyping British Identity
    “America’s Sweetheart”: White Female Privilege In ‘Gone Girl’
    Why a David Bowie biopic will always be doomed to fail
    Film Oddity: David Bowie and the Screen
    "Did you feel emotional the first time you drove in Sacramento?" Driving with Emotion in Greta Gerwig's Lady Bird
    A [Not-so-Distant] Dystopian Future... The Dystopian Landscape of Ridley Scott's Blade Runner
    Politics, Class and the British Home: British Class Represented in High-Rise and Brazil
    The New New Wave of British Cinema: Joanna Hogg and the Middle-Class Social Realist Film
    Skin Positivity Influencers Helped Me Accept My Acne For What It Is
    “I’m Irish.” – Paul Mescal Vs The British Empire
    "Karen, are you crazy?" The Women of Martin Scorsese's Goodfellas
    Crafting Insanity: Experiencing madness in Sherlock: The Lying Detective
    The Modern Greek Tragedy: Examining Yorgos Lanthimos's The Killing of a Sacred Deer through Aristotle's Poetics
    "But Wales is Britain. And Britain is Wales." Exploring British national identity in Netflix's The Crown
    David Bowie is the Englishman from Mars: An Examination of Englishness through Stardom
    Supporting the Black Lives Matters movement through cinematic education
    “Maybe That’s Normal”: The Normality of Mental Illness in Normal People
    Dance, Woman, Dance: Revisiting Jim Henson's Labyrinth
    How Social Realism Contributes to the Fetishisation of Britain’s Working Class
    Slut! The Sexual Liberation of Phoebe Waller-Bridge’s Women
    Time, Illness And Melancholia
    Patrick Melrose And The Trauma Of The Aristocracy
    Is A Most Popular Film Category Good For The Oscars?

    Reviews

    BFI Flare Festival 2021 | Reviews
    ‘Poppy Field’ — Censoring Queerness In Romania: BFI Flare Review
    ‘Dramarama’ Is Nostalgic, But Misses The Mark: BFI Flare Review
    My First Summer — Reimagining the Queer Coming-of-Age Summer Film | BFI Flare Review
    Jump, Darling is the drag film for our generation | BFI Flare Review
    Norwich Film Festival 2020 | Reviews
    Raindance Film Festival 2021 | Reviews
    London Film Festival 2020 | Reviews
    ‘If It Were Love’ — Performance art makes its way to cinema in this beautifully sensual film | LFF Review
    ‘Never Gonna Snow Again’ — Desperate Housewives meet Matilda in this wonderfully strange portrait of Poland | LFF Review
    ‘Eyimofe’- A Touching Tale Of Life And Love: LFF Review
    Willem Dafoe Gets Philosophical In ‘Siberia: LFF Review
    Exploring Humanity In ‘The Painter And The Thief’: LFF Review
    Lie Low | Review
    Review: Macbeth At The Norwich Theatre Royal
    Venue Goes Backstage: Macbeth At The Norwich Theatre Royal
    Review: La Traviata At The Norwich Theatre Royal
    A Feminist Day Out At The BFI | Woman With A Movie Camera Summit 2018
    Sea Wall at The Old Vic | Review

    Interviews

    Interview with Bassam Tarqi
    ​London Film Festival 2020
    Picture
    Interview with Jonathan Blagrove
    Norwich Film Festival 2020
    Interview with Jamie Weston
    Norwich Film Festival 2020
    Picture
    Interview with Stuart Laws
    Grave New World Premiere 2021

    Film East Chats Podcast on BBC Radio Norfolk

    This is a small section of episodes from the Film East podcast. Click here to listen to all episodes. 

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