Upper Ground Production
  • Home
  • About
  • Links
    • Film East
    • Twitter
    • Instagram
    • LetterBoxd
  • Home
  • About
  • Links
    • Film East
    • Twitter
    • Instagram
    • LetterBoxd
Search by typing & pressing enter

YOUR CART

2/8/2017 0 Comments

Oh, Danny Boy | The Film Club | August 2017

Picture
Picture
Picture
Oh, Danny Boy
A Reflection of the Work of Danny Boyle 
When you think of the best British filmmakers you can't help but have Danny Boyle come to mind. He's a British filmmaker telling Britain's true stories. His films reflect the real lives of the repressed, the misunderstood, or the forgotten. His films capture a culture and society that would typically get left behind on film. Yet even when his film don't reflect on Britain entirely, he still brings the essence of Britain to his film by utilizing British talent. 

I've also always seen Boyle as an interesting filmmaker because he isn't afraid to try new techniques or push the boundaries of his stories, yet his films continuously appeal to the general public, something arthouse films (which I consider Boyle films to be) never do. Danny Boyle is a filmmaker who has the luxury of being able to create original and unique films, while still drawing in the audience to finance his vision. 

When reflecting on this month's films, I will be looking at how Boyle's films progressed over time and how he captured his vision through unconventional filmmaking techniques. What do you think is Danny Boyle's most defining characteristic as a filmmaker?

The films of Oh Danny Boy are:
Trainspotting
28 Days Later
Millions
​Sunshine
Slumdog Millionaire 
Steve Jobs
So, here's how the Film Club works. Each month I curate a collection of films that demonstrate the best of filmmaking. Over the course of the month, you watch as many films on this list as you can, and, with your help, we can discuss how these films work together as a collection and how they reflect the artistry of filmmaking. At the end of the month, come back here to read my review of the films in this month's collection. If you want to take part in this month's film club, leave a comment Tweet me, Tumblr me, or Email me discussing your thoughts on this collection! 

Part II of Oh, Danny Boy | The Film Club
0 Comments



Leave a Reply.

    Click the images below to read each article

    Features

    Feasting on Females: Consuming the Female Body in Mimi Cave’s Fresh
    Marmalade and Masculinity: Combating Toxic Masculinity with Paddington Bear
    The Delicious World of Miyazaki: Subverting Western Food Standards in Studio Ghibli
    Ugly, Delicious and Political: Politicising Cultural Dishes
    Representing Oslovian Women, starring ‘The Worst Person in the World’
    Culinary Temptations: Italian Cuisine in Luca Guadagnino’s ‘Desire Trilogy’
    David Bowie is... The Englishman Who Fell to Earth
    Kris Marshall | Love, Actually
    ‘Choose a name; something simple’: Names and Identities in ‘Money Heist’
    The Sad Eyes of Punk: Subverting the Rock Star in Anton Corbijn's Control
    The Ghost of David Bowie: Capturing Bowie's Cultural Legacy in Todd Haynes' Velvet Goldmine
    Re-assimilating the Other: Zombies, Mental Illness and Homosexuality in BBC Three’s In the Flesh
    Global Strangers: Existing Between Borders Film Collection
    Animation Artistry in Cartoon Saloon’s Wolfwalkers
    Riz Ahmed’s Goodbye to Britain: Confronting Identity and Self in ‘The Long Goodbye’
    Young Film Programmers and the Pandemic
    The Hugh Grant Archetype: Stereotyping British Identity
    “America’s Sweetheart”: White Female Privilege In ‘Gone Girl’
    Why a David Bowie biopic will always be doomed to fail
    Film Oddity: David Bowie and the Screen
    "Did you feel emotional the first time you drove in Sacramento?" Driving with Emotion in Greta Gerwig's Lady Bird
    A [Not-so-Distant] Dystopian Future... The Dystopian Landscape of Ridley Scott's Blade Runner
    Politics, Class and the British Home: British Class Represented in High-Rise and Brazil
    The New New Wave of British Cinema: Joanna Hogg and the Middle-Class Social Realist Film
    “I’m Irish.” – Paul Mescal Vs The British Empire
    "Karen, are you crazy?" The Women of Martin Scorsese's Goodfellas
    Crafting Insanity: Experiencing madness in Sherlock: The Lying Detective
    The Modern Greek Tragedy: Examining Yorgos Lanthimos's The Killing of a Sacred Deer through Aristotle's Poetics
    "But Wales is Britain. And Britain is Wales." Exploring British national identity in Netflix's The Crown
    David Bowie is the Englishman from Mars: An Examination of Englishness through Stardom
    Supporting the Black Lives Matters movement through cinematic education
    “Maybe That’s Normal”: The Normality of Mental Illness in Normal People
    Dance, Woman, Dance: Revisiting Jim Henson's Labyrinth
    How Social Realism Contributes to the Fetishisation of Britain’s Working Class
    Slut! The Sexual Liberation of Phoebe Waller-Bridge’s Women
    Time, Illness And Melancholia
    Patrick Melrose And The Trauma Of The Aristocracy
    Is A Most Popular Film Category Good For The Oscars?

    Reviews

    Toronto International Film Festival '22 | Reviews
    BFI London Film Festival 2021 | Reviews
    BFI Flare Festival 2021 | Reviews
    Norwich Film Festival 2020 | Reviews
    Raindance Film Festival 2020 | Reviews
    London Film Festival 2020 | Reviews
    Lie Low | Review
    Review: Macbeth At The Norwich Theatre Royal
    Review: La Traviata At The Norwich Theatre Royal
    A Feminist Day Out At The BFI | Woman With A Movie Camera Summit 2018

    Interviews

    Red Carpet Interviews 
    Toronto International Film Festival 2022
    Interview with Bassam Tarqi
    ​London Film Festival 2020
    Picture
    Interview with Jonathan Blagrove
    Norwich Film Festival 2020
    Interview with Jamie Weston
    Norwich Film Festival 2020
    Picture
    Interview with Stuart Laws
    Grave New World Premiere 2021

    Film East Chats Podcast on BBC Radio Norfolk

    This is a small section of episodes from the Film East podcast. Click here to listen to all episodes. 

      Contact Me! 

    Submit
Powered by Create your own unique website with customizable templates.