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15/8/2020 0 Comments

"I'm Irish." Paul Mescal vs the British Empire

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    Features

    Global Strangers: Existing Between Borders Film Collection
    ‘Promising Young Woman’ vs. ‘I May Destroy You’: Messaging in the Me Too Era
    Animation Artistry in Cartoon Saloon’s Wolfwalkers
    Riz Ahmed’s Goodbye to Britain: Confronting Identity and Self in ‘The Long Goodbye’
    Young Film Programmers and the Pandemic
    The Hugh Grant Archetype: Stereotyping British Identity
    “America’s Sweetheart”: White Female Privilege In ‘Gone Girl’
    Why a David Bowie biopic will always be doomed to fail
    Film Oddity: David Bowie and the Screen
    "Did you feel emotional the first time you drove in Sacramento?" Driving with Emotion in Greta Gerwig's Lady Bird
    A [Not-so-Distant] Dystopian Future... The Dystopian Landscape of Ridley Scott's Blade Runner
    Politics, Class and the British Home: British Class Represented in High-Rise and Brazil
    The New New Wave of British Cinema: Joanna Hogg and the Middle-Class Social Realist Film
    Skin Positivity Influencers Helped Me Accept My Acne For What It Is
    “I’m Irish.” – Paul Mescal Vs The British Empire
    "Karen, are you crazy?" The Women of Martin Scorsese's Goodfellas
    Crafting Insanity: Experiencing madness in Sherlock: The Lying Detective
    The Modern Greek Tragedy: Examining Yorgos Lanthimos's The Killing of a Sacred Deer through Aristotle's Poetics
    "But Wales is Britain. And Britain is Wales." Exploring British national identity in Netflix's The Crown
    David Bowie is the Englishman from Mars: An Examination of Englishness through Stardom
    Supporting the Black Lives Matters movement through cinematic education
    “Maybe That’s Normal”: The Normality of Mental Illness in Normal People
    Dance, Woman, Dance: Revisiting Jim Henson's Labyrinth
    How Social Realism Contributes to the Fetishisation of Britain’s Working Class
    Slut! The Sexual Liberation of Phoebe Waller-Bridge’s Women
    Time, Illness And Melancholia
    Patrick Melrose And The Trauma Of The Aristocracy
    Is A Most Popular Film Category Good For The Oscars?

    Reviews

    BFI Flare Festival 2021 | Reviews
    ‘Poppy Field’ — Censoring Queerness In Romania: BFI Flare Review
    ‘Dramarama’ Is Nostalgic, But Misses The Mark: BFI Flare Review
    My First Summer — Reimagining the Queer Coming-of-Age Summer Film | BFI Flare Review
    Jump, Darling is the drag film for our generation | BFI Flare Review
    Norwich Film Festival 2020 | Reviews
    Raindance Film Festival 2021 | Reviews
    London Film Festival 2020 | Reviews
    ‘If It Were Love’ — Performance art makes its way to cinema in this beautifully sensual film | LFF Review
    ‘Never Gonna Snow Again’ — Desperate Housewives meet Matilda in this wonderfully strange portrait of Poland | LFF Review
    ‘Eyimofe’- A Touching Tale Of Life And Love: LFF Review
    Willem Dafoe Gets Philosophical In ‘Siberia: LFF Review
    Exploring Humanity In ‘The Painter And The Thief’: LFF Review
    Lie Low | Review
    Review: Macbeth At The Norwich Theatre Royal
    Venue Goes Backstage: Macbeth At The Norwich Theatre Royal
    Review: La Traviata At The Norwich Theatre Royal
    A Feminist Day Out At The BFI | Woman With A Movie Camera Summit 2018
    Sea Wall at The Old Vic | Review

    Interviews

    Interview with Bassam Tarqi
    ​London Film Festival 2020
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    Interview with Jonathan Blagrove
    Norwich Film Festival 2020
    Interview with Jamie Weston
    Norwich Film Festival 2020
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    Interview with Stuart Laws
    Grave New World Premiere 2021

    Film East Chats Podcast on BBC Radio Norfolk

    This is a small section of episodes from the Film East podcast. Click here to listen to all episodes. 

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